mr.brain(弗吉尼亚艾略特原文)
专栏
2024-04-27 09:40
152
目录- mr.brain,弗吉尼亚艾略特原文?
- 如何写好美国本科申请中的personal?
- 法证先锋类型电视剧?
- 有什么好看的经典的推理悬疑剧啊?
- 有没有什么好看的香港或者美国的破案型电视剧?
- 有没有像欺诈游戏类似的日剧呢?
- 请问如何提高英语阅读能力?
mr.brain,弗吉尼亚艾略特原文?
I. THE BURIAL OF THE DEAD
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten, 10
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man, 20
You cannot say, or guess, for you know Only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust. 30
Frisch weht der Wind
Der Heimat zu
Mein Irisch Kind,
Wo weilest du?
"You gave me hyacinths first a year ago;
"They called me the hyacinth girl."
/uploads/title/20240107/659a202a385c2.jpg Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew Nothing, 40
Looking into the heart of light, the silence.
Od' und leer das Meer.
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations. 50
Here is the man with three staves, and here the Wheel,
And here is the one/uploads/title/20240107/659a202a385c2.jpgeyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
Unreal City, 60
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying "Stetson!
"You who were with me in the ships at Mylae! 70
"That corpse you planted last year in your garden,
"Has it begun to sprout? Will it bloom this year?
"Or has the sudden frost disturbed its bed?
"Oh keep the Dog far hence, that's friend to men,
"Or with his nails he'll dig it up again!
"You! hypocrite lecteur! /uploads/title/20240107/659a202a385c2.jpg mon semblable, /uploads/title/20240107/659a202a385c2.jpg mon frere!"
II. A GAME OF CHESS
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid /uploads/title/20240107/659a202a385c2.jpg troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle/uploads/title/20240107/659a202a385c2.jpgflames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea/uploads/title/20240107/659a202a385c2.jpgwood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still. 110
"My nerves are bad to/uploads/title/20240107/659a202a385c2.jpgnight. Yes, bad. Stay with me.
"Speak to me. Why do you never speak. Speak.
"What are you Thinking of? What thinking? What?
"I never know what you are thinking. Think."
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing. 120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag /uploads/title/20240107/659a202a385c2.jpg
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so. What shall we do to/uploads/title/20240107/659a202a385c2.jpgmorrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said /uploads/title/20240107/659a202a385c2.jpg
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said. Something o' that, I said. 150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty/uploads/title/20240107/659a202a385c2.jpgone.)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot /uploads/title/20240107/659a202a385c2.jpg
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight. 170
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
III. THE FIRE SERMON
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest /uploads/title/20240107/659a202a385c2.jpg
I too awaited the expected guest. 230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half/uploads/title/20240107/659a202a385c2.jpgformed thought to pass:
"Well now that's done: and I'm glad it's over."
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe."
"My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised 'a new start'.
I made no comment. What should I resent?"
"On Margate Sands. 300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing."
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
IV. DEATH BY WATER
Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
Gentile or Jew
O you who turn the wheel and look to windward, 320
Consider Phlebas, who was once handsome and tall as you.
V. WHAT THE THUNDER SAID
After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience 330
Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink
Amongst the rock one cannot stop or think
Sweat is dry and feet are in the sand
If there were only water amongst the rock
Dead mountain mouth of carious teeth that cannot spit
Here one can neither stand nor lie nor sit 340
There is not even silence in the mountains
But dry sterile thunder without rain
There is not even solitude in the mountains
But red sullen faces sneer and snarl
From doors of mudcracked houses
If there were water
And no rock
If there were rock
And also water
And water 350
A spring
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock
Where the hermit/uploads/title/20240107/659a202a385c2.jpgthrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water
Who is the third who walks always beside you? 360
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
/uploads/title/20240107/659a202a385c2.jpg But who is that on the other side of you?
What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth 370
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal
A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light 380
Whistled, and beat their wings
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.
In this decayed hole among the mountains
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind's home.
It has no windows, and the door swings, 390
Dry bones can harm no one.
Only a cock stood on the rooftree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain
Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder 400
DA
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment's surrender
Which an age of prudence can never retract
By this, and this only, we have existed
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms 410
DA
Dayadhvam: I have heard the key
Turn in the door once and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aetherial rumours
Revive for a moment a broken Coriolanus
DA
Damyata: The boat responded
Gaily, to the hand expert with sail and oar 420
The sea was calm, your heart would have responded
Gaily, when invited, beating obedient
To controlling hands
I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?
London Bridge is falling down falling down falling down
Poi s'ascose nel foco che gli affina
Quando fiam ceu chelidon /uploads/title/20240107/659a202a385c2.jpg O swallow swallow
Le Prince d'Aquitaine a la tour abolie 430
These fragments I have shored against my ruins
Why then Ile fit you. Hieronymo's mad againe.
Datta. Dayadhvam. Damyata.
Shantih shantih shantih
如何写好美国本科申请中的personal?
关于本科的Personal Statement, 我们常见的是Common Essay, UC Essays等。不过,今年,2018年,CAAS申请系统真的来了!所以,今天主要跟大家分享一下CAAS系统的essay要求以及解析,希望能给大家一些指导。2018年秋季申请,华大西雅图在官网已经明确写道,今年申请只用CAAS系统。UIUC也提到了可以接受CAAS系统。所以,提前准备CAAS的essay就显得尤为重要啦!
Coalition Essays
Welcome to the Coalition’s application essays page! Here you will find our general essay prompts.
Submission Guidelines
With so many institutions participating in the Coalition, there are many different admissions guidelines, and schools will treat these general application essays differently in their admissions processes: some schools won't require an essay at all; other schools will require one of the general essays and answers to additional school/uploads/title/20240107/659a202a385c2.jpgspecific essay or short answer questions. Please consult the application requirements for each Coalition school in which you are interested.
Suggestions for Use
You are free to work on these essays at any time. (You can even store essay drafts in your Locker!) They are useful for honing your essay writing skills as well as for inclusion with your application. If you plan to submit one of our general essays with your application(s), please use one of the prompts offered during your application year.
In general, we have found that concise, straightforward writing is often the best for college essays, and that good essays are often 300 to 400 words in length. While there is no perfect length for an essay, most application readers find college essays are rarely improved when they are longer than 500 to 550 words, and we strongly recommend you stay within that limit. For more information on specific application requirements, please consult the website for each institution to which you are applying, as requirements often vary.
Essay Prompts
The prompts for the 2016/uploads/title/20240107/659a202a385c2.jpg18 application years are:
Ø Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.
Ø Describe a time when you made a meaningful contribution to others in which the greater good was your focus. Discuss the challenges and rewards of making your contribution.
Ø Has there been a time when you’ve had a long/uploads/title/20240107/659a202a385c2.jpgcherished or accepted belief challenged? How did you respond? How did the challenge affect your beliefs?
Ø What is the hardest part of being a teenager now? What’s the best part? What advice would you give a younger sibling or friend (assuming they would listen to you)?
Ø Submit an essay on a topic of your choice.
CAAS Essay题目解析
PROMPT #1
Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.(讲述你的个人经历,描述这段经历如何塑造或展示你的个性品质。)
解读:这一题和去年的一样,鼓励学生分享自己的故事(经历),展现个性和成长。也可以写某些改变了人生观的事情。
这题貌似好写,但写出彩不容易。要看懂这道题,就要扣住题目的核心——经历塑造了自己的个性,这是关键点。如果陈述的个人经历本身不够“抓眼球”,或者不足以体现个体性格的形成,都是败笔。
要回答好这一问题,首先需要将个人经验、体验、履历等进行梳理——实际上这也是整体申请工作的首要环节之一。在比较丰富的、多侧面和层面的经历中,撷取扣住这个问题主题的亮点,进行适当的重组和整合,并延伸到“个性形成影响”这一重点主线,是答好本题的关键所在。
PROMPT #2
Describe a time when you made a meaningful contribution to others in which the greater good was your focus. Discuss the challenges and rewards of making your contribution.(描述你对他人做的有意义的贡献以及过程中你遇到的挑战和得到的收获。)
解读:这一题目和去年一样,没变化。有利于社区贡献或志愿者服务做得多的美高学生或国际班的学生来写。美国主流价值观中的一项核心即利他性,即通过帮助他人体现自身生命的价值。
题目设计得很有『曲折性』,要有『挑战和收获』,即要求回答出思想起伏与挣扎,乃至最后如何弃所谓“更大利益”于不顾,选择采取了真正有意义的利他行为。
要回答好这样的问题,要点在于选择素材,以及紧扣主题升华部分的逻辑展现。如果缺乏这一方面的课外活动,不建议选这道题。
PROMPT #3
Has there been a time when you’ve had a long/uploads/title/20240107/659a202a385c2.jpgcherished or accepted belief challenged? How did you respond? How did the challenge affect your beliefs?(你有没有这样的时候:长久以来坚持的信念受到质疑或挑战。你作何应对?这次挑战如何影响你的观念?)
解读:Common app的题目是让学生挑战权威的观念,而CAAS这一题是反过来,让学生写自己的观念被挑战的经历。这个题目比较有挑战性。在美国的普世主流价值观中,人应当有信仰,不局限于宗教信仰,更多是说人生态度或者认定的理念。
回到这个题目,题干给出了相当具体的答题思路。时刻(事件)—>反应(态度)—>影响信仰(高潮关键)。
首先仍然是选材。什么样的事情,在发生的那一刻,强烈到影响自己一直以来的信念、信心和执念?选材既定,过程所展现出来的反应及其所体现的态度,就比较好好陈述了。所以第二个问句,相对最好回答。最后,要有逻辑,推导出来事件对于人生观念的影响和撼动。
PROMPT #4
What is the hardest part of being a teenager now? What’s the best part? What advice would you give a younger sibling or friend (assuming they would listen to you)?当今作为一名青少年,最困难的方面是什么?最好的方面呢?你会给比你年幼的弟弟妹妹或朋友什么建议(假设他们会乖乖听你说教)?
解读:这个可以说是一道反思题,或者说思考题。既好回答又不好答。
这道题并非真的针对个体,所以如果回答的内容中包含了群体特征和时代脉搏,则已经赢了一半。选择这题的同学最好先采访一下同龄人,找到真实的痛点,找到共鸣,然后再开始思索这个时代的“最好”和“最坏”。这里需要有深刻的洞察、反思、分析和总结能力。切忌答成“主观”题即过于强调自己的看法。
这道题其实也是在考察学生的三观。我们自己观念的正与不正,有深度或者没有,广泛或者狭窄,都在于多年成长背景之下的积累,而非临时打造的所谓“高大上”强调。——这恐怕是申请学生和家长需要注意的一点。
PROMPT #5
Submit an essay on a topic of your choice.题目自拟
解读:题目自拟有好也有坏。好处是可以自由发挥,对 creative writing感兴趣的学生可以通过这道题充分发挥;坏处是,没有引导和框架,学生可能很难掌控,写不好ps。
题目和Common App的很相似,最大的不同之处在于字数要求。Common App申请文书字数上限是650字,而CAAS申请系统文书字数限制在300/uploads/title/20240107/659a202a385c2.jpg400之间。
法证先锋类型电视剧?
内地
案发现场,重案六组,水落石出,现场铁证,情有千千劫,警探雷鸣,探长欧光慈,深瞳,非常案件,水晶眼,少年包青天系列,大宋提刑官系列,神探狄仁杰系列
《火线追凶》《陆小凤传奇》《女神捕》《父子神探》这四个是系列电影,比电视剧好看
TVB
刑事侦辑档案系列,陀枪师姐系列,鉴证实录系列,O记实录系列,900重案追凶,法证先锋系列,洗冤录系列,状王宋世杰系列,施公奇案系列,栋笃神探,谜情家族,隔世追凶,谈情说案,读心神探,古灵精探12,情事缉私档案,勇探实录,刑警2010,仁心解码,囧探查过界,通天干探
ATV
国际刑警,暴风刑警,吉祥任务,危险人物,香港奇案实录,皇家档案系列,法本无情,新香港奇案,皇家警察实录系列,女干探,非常女警,法网群英
香港有线电视台
灵异侦缉档案系列
国外
犯罪心理,别对我撒谎,血色星期一,侦探学院Q,左目探侦EYE,Mr.Brain,霹雳MIT,名侦探守则,unfair,继续,池袋西口公园,古畑任三郎,相棒,神探伽利略,超感神探,神探夏洛克,神探阿蒙,谜情家族,读心神探,金田一少年之事件簿,CSI,识骨寻踪,数字追凶,BOSS,罪案终结
有什么好看的经典的推理悬疑剧啊?
最近超迷《相棒》故事性强 很好看的 现在都出11季了 以下再推荐一些 1.《boss》啊 经典中的经典 推理很强大 故事很紧凑~~ 2《control犯罪心理搜查》 跟伽利略很像 藤木直人演心理学教授 3《 mr. Brain》木村拓哉演的脑博士 推理性也很强 还有点搞笑 4《警视厅搜查一课新9系》这个超爱了 追好久了 每年都会出一季 都是原班人马 故事性强 还很感人~~ 5《临场》这个也不错哦 讲现场搜查的 通过蛛丝马迹破案 也很感人的~~~~有几集结尾哭死我了 6《草莓之夜》女主是女婿大人里的小樱 以前那么可爱 现在演女警有点惊讶(带一点爱情) 7《怪物》山上智久演的 挺不错的 故事好 还有些小无厘头 8《ATARU》这个也不错 喜欢女主角 题材挺新颖 中居正广卖萌出演学者综合症的特殊能力不明身份青年 9《都市传说之女》这个带点小爱情 每个故事都很神奇 有几集还挺恐怖呢 女主是长泽雅美 10《legal high》这个是讲律师的女主新桓结衣 挺无厘头的 但是故事都很好 猪脚超厉害解决各种棘手的案子 11《vision能看见凶手的女人》这个一般 没怎么看明白 小栗旬的老婆山田优主演 能看见死人的 12《高中入学考试》又是我最爱的长泽雅美 故事一般啦 13《神南署安积班1 2 3 4 5 6》很温暖的警察局 每集都挺感人的 喜欢安积大叔 14《示谈交涉人调解专家》超强烈推荐 男猪脚一头白发超帅 以前是外交官后来到民间解决各种案子 没有他办不成的事 心里超强大 头脑超级厉害 强烈推荐!!! 15《answer/uploads/title/20240107/659a202a385c2.jpg/uploads/title/20240107/659a202a385c2.jpg/uploads/title/20240107/659a202a385c2.jpg警视厅检证搜查官》正常的警察局 不错 16《上锁的房间》good good 大野智演的开锁专家 解决各种密室杀人 还有惠田户梨香哦 17《绝对零度1 2》上户彩演的菜鸟警察第一部还行 第二部一般吧 18《真正的犯人—心理特收事件簿》与港剧读心神探一样的感觉 19《神探奇奈》女猪脚的记忆超人的~~~~ 值得一看 20《spec》个人觉得这个是神作哦 一群超能力者的智慧的较量 21《警视厅失踪人搜查科》每一集都是失踪的人的 也很好 22《警视厅继续搜查班》也是正常的警察局 23《小田雾响子的谎言》这个有点小搞笑 推理部分也很好一集一个故事 喜欢女猪脚超可爱 假扮灵能力者 但观察力很强帮男猪脚破案 24《热海搜查官》小田切让演的 很诡异 有些无厘头 据说这个是神作 但最后我都没看懂太深奥 25《少年刑警》小池彻平演的 很感人的 男猪脚很萌的 26《东京dog》小栗旬超帅哦 女主是韩剧吸血鬼检察官2里的日本巫女哦 27《专业主妇侦探》深田恭子的新作 也带爱情 里面超二的 前几集真相捶死她 但后来还不错 很萌 但推理性稍弱 其他的还有《恶/uploads/title/20240107/659a202a385c2.jpg重犯罪搜查班》 《纪戊/uploads/title/20240107/659a202a385c2.jpg警视厅特殊犯搜查系》 《joker不被原谅的搜查官》《遗留搜查1 2》《你不是犯人吧》《自恋刑警》《富豪刑警》《小汪刑警》《怪胎刑警》《时效警察》《推理要在晚餐后》《侦探学院Q》《左目神探》《美食侦探》《名侦探柯南真人版》《名侦探守则》《名侦探光彦》《853刑事加茂伸之介》《迷局》《血色星期一》《bull doctor》《流星之绊》《逃亡律师》《科搜研之女》《lady最后的犯罪画像》 还有韩剧 和美剧多了去了
有没有什么好看的香港或者美国的破案型电视剧?
香港法证先锋系列,鉴证实录系列,古灵精探系列,陀枪师姐系列,O记实录系列,900重案追凶,谜情家族,谈情说案,情事缉私档案,刑警2010,勇探实录,女生宿舍之侦探学院,新重案传真,仁心解码,囧探查过界,国际刑警,暴风刑警,灵异侦缉档案美国别对我撒谎,犯罪现场调查,犯罪心理,罪案终结,识骨寻踪,数字追凶,逝者之证,灵媒缉凶,灵书妙探,超感警探,灵异妙探,铁证悬案,重案疑云,火线重案组,重案组女警,糊涂神探,NCIS,身份追凶,妙贼警探,倾听者,神探阿蒙日本古畑任三郎,神探伽利略,相棒,名侦探守则,科搜研之女,Mr.Brain,血色星期一,unfair,继续,池袋西口公园,时效警察,BOSS,亡者之声,四姐妹侦探团,民俗学者八云树,绝对零度,心理特搜事件,spec,圈套,跳跃大搜查线,33分钟侦探,冰之世界,遥控刑警
有没有像欺诈游戏类似的日剧呢?
益智游戏2:樱井翔和横山裕主演的,是在一个问答类综艺节目逐渐将6年前的一桩事故说明,共10集每集都会揭露一个真相,10集揭露最大的真相,可以算是推理剧的啦~BOSS:其实就是侦探片,一集一个案子,有竹野内丰和户田惠梨香,另外会请一些明星来客串神探伽利略:这个片子很好看,柴崎幸和福山雅治主演,用科学实验来推断凶手的片子MR BRAIN:木村拓哉,水岛宏,绫濑遥主演,和神探伽利略有点像,也是用科学破案的片子ROMES:现在还在连载的新片,讲守护机场的故事,ms总的是要讲找出一个人,每次都会接近一点真相的样子流星之绊:户田惠梨香,锦户亮和二宫和也的片子,3兄妹找寻杀父母的仇人,有点类似诈欺猎人,在骗钱的过程中接近真相
请问如何提高英语阅读能力?
感谢邀请。
初中阅读理解在英语学习中是让很多家长和同学最头痛的地方。普通的现象就是大多数同学对英语阅读文中的理解力和阅读速度方面让大家很挠头。不过,这世界上好在有这么一句话:方法总比问题多。况且还有我在这里帮大家答疑解惑~
英文阅读为什么那么重要呢?
1,从每年的中考或是平时英语考试出题中,你会发现,这些出题老师“挖空心思”在“为难”同学们,英语考试卷中占比最大的就是英语阅读题。足以看出英语阅读的重要性。2,再有,一个人的英语水平是否真的从本质上得到提高,一定是从这个人的英语阅读能力上来判读的。3,最后,英语阅读能力是在综合测试同学们的单词掌握,英语语言知识点的积累,以及英语语法和句子结构分析能力的评判。听,说,读,写,这4个不变的英语训练中,通过英文阅读,至少考评了你的读,写方面。4,除了我们眼前的应试考试外,想想我们学习英语的真正目的到底是什么?
我认为一定是“学英文,看世界”我们来看这样一段话:“说起阅读,很多人都很兴奋,因为读书不仅能带给他们知识和乐趣。而且通过阅读,我们能获取很多信息,了解历史。但是对一些人来说,阅读并不是他们的优势。他们会选择看电影来获得乐趣。但我想,人们依然可以从阅读中获取更多...”很多同学包括很多成年人,去看英文经典名著也罢,去读英语文章和外刊也好,事实上,他们很可能仅仅是为了应付临时的考试,或者为了彰显自己的高级感。这样的想法,不能说不对。毕竟每个人有自己的英语学习的看法和目的。但能保证你长期持续的去阅读甚至是研究英文阅读文章的唯一出发点,也是最本质的核心:那就是“看世界” 世界之大,我们或许不能每天日行千里路,但我们可以通过读万卷书让我们的头脑随时随地获取鲜活有趣有意义的信息,陶冶情操,提高对语言美的感知能力,提升自身的核心素养.
说到这里,我相信并不是所有人都会同意这个说法。“凭什么就要通过英语阅读,读英文经典名著和文章来看世界呢?我不去阅读,一样活的好好的”好吧,我完全同意这样的看法,因为这样的回答并没错,不过,我要提醒这样的同学,在你的人生中,活着和有意义的活着,或许是两回事。。。从小处看,起码你的每次英语阅读考试会一塌糊涂。每次遇到阅读题看不懂,你会是什么心情?自信从哪里来?一个不爱阅读的人,想想他的精神世界会不会是充盈和富足的?思维狭隘,认知能力低下,更不用说今后的人生路上还会因为自己的知识储备的匮乏会面临多少人生挫败...?好了,你知道了英语阅读的重要性,那我们就来说说该怎么提高英语阅读的正确率,有哪些技巧会让你提高英语成绩或是提升英语阅读速度?1,首先,如大家都知道的一样,大量加高效的英文阅读是你永远没法跳过的坎儿,因为英语阅读考的就是你的综合能力,在这个板块不“虐你”一下,怎么拉开大家的英语成绩?找对方法,再去努力,这是永远应对所有事的核心道理。想想看老师出题基本会有哪几类?不要查了,我帮大家归纳好了。题材上,“英语老师们的心思你别猜”因为你永远猜不透。我称之为“花式吊打”:政治经济类,风俗习惯类,社会文化类,人文历史类,科学技术类...英语阅读文章体裁形式也是让你摸不到规律,记叙文,议论文,新闻类,通知,操作说明...阅读提醒基本逃不过这几方面:a, 考察细节b,推理判断和猜文猜词c,文章主旨,或者说作者要表达的观点
英语阅读训练的干货技巧合方法来了。你一定要理清老师出题的规律之后,才能有效应对各种题型。通常我会要同学们拿到一篇英文阅读文章,先去看题目,大概把题目按上面说的题型分好类,这一点也需要平时大量阅读训练出来的。细节题型,通常需要你注意一些数字表达,专业名词,还有那些用大写标准的信息都可能是要考你的细节地方,迅速定位,再在这些标志性词语的所在橘子中前后两句里找答案。猜词题的题型,直接去找那个词所在的段落,通常文章会在这些词的后面给出隐形的解释,或者会用其他你应该熟悉的单词来代替,这需要你专注的去理解文章的意思。文章主旨的题型,一般不是很容易。基本上作者的观点会分布在每段的第一句和最后一句话里,或者你能找到总结性很明显的提示词汇,如in word,generally speaking...把我这些关键的词汇和语句,思考一下,一般就能出答案了。至于那些推断题,你可以从四个选项答案里,去除明显不对的答案,剩下的放到文章里再去理解,可能你是似懂非懂的完成了这个题,不过,这就是这类题考你的初衷,就是让你猜,猜,猜。学习路上,没来没有“轻松”二字可言,最后送给小伙伴们一句话:“你只有平时很努力,你才能在考场上看起来很轻松”加油吧,青少年~码字不易,如果你觉得文章对你有帮助,请点赞并转发给更多需要的人。非常感谢~
本站涵盖的内容、图片等数据系网络收集,部分未能与原作者取得联系。若涉及版权问题,请联系ynstorm@foxmail.com进行删除!
- mr.brain,弗吉尼亚艾略特原文?
- 如何写好美国本科申请中的personal?
- 法证先锋类型电视剧?
- 有什么好看的经典的推理悬疑剧啊?
- 有没有什么好看的香港或者美国的破案型电视剧?
- 有没有像欺诈游戏类似的日剧呢?
- 请问如何提高英语阅读能力?
mr.brain,弗吉尼亚艾略特原文?
I. THE BURIAL OF THE DEAD
April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten, 10
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm' aus Litauen, echt deutsch.
And when we were children, staying at the archduke's,
My cousin's, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.
What are the roots that clutch, what branches grow
Out of this stony rubbish? Son of man, 20
You cannot say, or guess, for you know Only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust. 30
Frisch weht der Wind
Der Heimat zu
Mein Irisch Kind,
Wo weilest du?
"You gave me hyacinths first a year ago;
"They called me the hyacinth girl."
/uploads/title/20240107/659a202a385c2.jpg Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew Nothing, 40
Looking into the heart of light, the silence.
Od' und leer das Meer.
Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations. 50
Here is the man with three staves, and here the Wheel,
And here is the one/uploads/title/20240107/659a202a385c2.jpgeyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.
Unreal City, 60
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying "Stetson!
"You who were with me in the ships at Mylae! 70
"That corpse you planted last year in your garden,
"Has it begun to sprout? Will it bloom this year?
"Or has the sudden frost disturbed its bed?
"Oh keep the Dog far hence, that's friend to men,
"Or with his nails he'll dig it up again!
"You! hypocrite lecteur! /uploads/title/20240107/659a202a385c2.jpg mon semblable, /uploads/title/20240107/659a202a385c2.jpg mon frere!"
II. A GAME OF CHESS
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid /uploads/title/20240107/659a202a385c2.jpg troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle/uploads/title/20240107/659a202a385c2.jpgflames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea/uploads/title/20240107/659a202a385c2.jpgwood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still. 110
"My nerves are bad to/uploads/title/20240107/659a202a385c2.jpgnight. Yes, bad. Stay with me.
"Speak to me. Why do you never speak. Speak.
"What are you Thinking of? What thinking? What?
"I never know what you are thinking. Think."
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing. 120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag /uploads/title/20240107/659a202a385c2.jpg
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so. What shall we do to/uploads/title/20240107/659a202a385c2.jpgmorrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said /uploads/title/20240107/659a202a385c2.jpg
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said. Something o' that, I said. 150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty/uploads/title/20240107/659a202a385c2.jpgone.)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot /uploads/title/20240107/659a202a385c2.jpg
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight. 170
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
III. THE FIRE SERMON
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest /uploads/title/20240107/659a202a385c2.jpg
I too awaited the expected guest. 230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half/uploads/title/20240107/659a202a385c2.jpgformed thought to pass:
"Well now that's done: and I'm glad it's over."
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe."
"My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised 'a new start'.
I made no comment. What should I resent?"
"On Margate Sands. 300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing."
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
IV. DEATH BY WATER
Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
Gentile or Jew
O you who turn the wheel and look to windward, 320
Consider Phlebas, who was once handsome and tall as you.
V. WHAT THE THUNDER SAID
After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience 330
Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water
If there were water we should stop and drink
Amongst the rock one cannot stop or think
Sweat is dry and feet are in the sand
If there were only water amongst the rock
Dead mountain mouth of carious teeth that cannot spit
Here one can neither stand nor lie nor sit 340
There is not even silence in the mountains
But dry sterile thunder without rain
There is not even solitude in the mountains
But red sullen faces sneer and snarl
From doors of mudcracked houses
If there were water
And no rock
If there were rock
And also water
And water 350
A spring
A pool among the rock
If there were the sound of water only
Not the cicada
And dry grass singing
But sound of water over a rock
Where the hermit/uploads/title/20240107/659a202a385c2.jpgthrush sings in the pine trees
Drip drop drip drop drop drop drop
But there is no water
Who is the third who walks always beside you? 360
When I count, there are only you and I together
But when I look ahead up the white road
There is always another one walking beside you
Gliding wrapt in a brown mantle, hooded
I do not know whether a man or a woman
/uploads/title/20240107/659a202a385c2.jpg But who is that on the other side of you?
What is that sound high in the air
Murmur of maternal lamentation
Who are those hooded hordes swarming
Over endless plains, stumbling in cracked earth 370
Ringed by the flat horizon only
What is the city over the mountains
Cracks and reforms and bursts in the violet air
Falling towers
Jerusalem Athens Alexandria
Vienna London
Unreal
A woman drew her long black hair out tight
And fiddled whisper music on those strings
And bats with baby faces in the violet light 380
Whistled, and beat their wings
And crawled head downward down a blackened wall
And upside down in air were towers
Tolling reminiscent bells, that kept the hours
And voices singing out of empty cisterns and exhausted wells.
In this decayed hole among the mountains
In the faint moonlight, the grass is singing
Over the tumbled graves, about the chapel
There is the empty chapel, only the wind's home.
It has no windows, and the door swings, 390
Dry bones can harm no one.
Only a cock stood on the rooftree
Co co rico co co rico
In a flash of lightning. Then a damp gust
Bringing rain
Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.
The jungle crouched, humped in silence.
Then spoke the thunder 400
DA
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment's surrender
Which an age of prudence can never retract
By this, and this only, we have existed
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms 410
DA
Dayadhvam: I have heard the key
Turn in the door once and turn once only
We think of the key, each in his prison
Thinking of the key, each confirms a prison
Only at nightfall, aetherial rumours
Revive for a moment a broken Coriolanus
DA
Damyata: The boat responded
Gaily, to the hand expert with sail and oar 420
The sea was calm, your heart would have responded
Gaily, when invited, beating obedient
To controlling hands
I sat upon the shore
Fishing, with the arid plain behind me
Shall I at least set my lands in order?
London Bridge is falling down falling down falling down
Poi s'ascose nel foco che gli affina
Quando fiam ceu chelidon /uploads/title/20240107/659a202a385c2.jpg O swallow swallow
Le Prince d'Aquitaine a la tour abolie 430
These fragments I have shored against my ruins
Why then Ile fit you. Hieronymo's mad againe.
Datta. Dayadhvam. Damyata.
Shantih shantih shantih
如何写好美国本科申请中的personal?
关于本科的Personal Statement, 我们常见的是Common Essay, UC Essays等。不过,今年,2018年,CAAS申请系统真的来了!所以,今天主要跟大家分享一下CAAS系统的essay要求以及解析,希望能给大家一些指导。2018年秋季申请,华大西雅图在官网已经明确写道,今年申请只用CAAS系统。UIUC也提到了可以接受CAAS系统。所以,提前准备CAAS的essay就显得尤为重要啦!
Coalition Essays
Welcome to the Coalition’s application essays page! Here you will find our general essay prompts.
Submission Guidelines
With so many institutions participating in the Coalition, there are many different admissions guidelines, and schools will treat these general application essays differently in their admissions processes: some schools won't require an essay at all; other schools will require one of the general essays and answers to additional school/uploads/title/20240107/659a202a385c2.jpgspecific essay or short answer questions. Please consult the application requirements for each Coalition school in which you are interested.
Suggestions for Use
You are free to work on these essays at any time. (You can even store essay drafts in your Locker!) They are useful for honing your essay writing skills as well as for inclusion with your application. If you plan to submit one of our general essays with your application(s), please use one of the prompts offered during your application year.
In general, we have found that concise, straightforward writing is often the best for college essays, and that good essays are often 300 to 400 words in length. While there is no perfect length for an essay, most application readers find college essays are rarely improved when they are longer than 500 to 550 words, and we strongly recommend you stay within that limit. For more information on specific application requirements, please consult the website for each institution to which you are applying, as requirements often vary.
Essay Prompts
The prompts for the 2016/uploads/title/20240107/659a202a385c2.jpg18 application years are:
Ø Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.
Ø Describe a time when you made a meaningful contribution to others in which the greater good was your focus. Discuss the challenges and rewards of making your contribution.
Ø Has there been a time when you’ve had a long/uploads/title/20240107/659a202a385c2.jpgcherished or accepted belief challenged? How did you respond? How did the challenge affect your beliefs?
Ø What is the hardest part of being a teenager now? What’s the best part? What advice would you give a younger sibling or friend (assuming they would listen to you)?
Ø Submit an essay on a topic of your choice.
CAAS Essay题目解析
PROMPT #1
Tell a story from your life, describing an experience that either demonstrates your character or helped to shape it.(讲述你的个人经历,描述这段经历如何塑造或展示你的个性品质。)
解读:这一题和去年的一样,鼓励学生分享自己的故事(经历),展现个性和成长。也可以写某些改变了人生观的事情。
这题貌似好写,但写出彩不容易。要看懂这道题,就要扣住题目的核心——经历塑造了自己的个性,这是关键点。如果陈述的个人经历本身不够“抓眼球”,或者不足以体现个体性格的形成,都是败笔。
要回答好这一问题,首先需要将个人经验、体验、履历等进行梳理——实际上这也是整体申请工作的首要环节之一。在比较丰富的、多侧面和层面的经历中,撷取扣住这个问题主题的亮点,进行适当的重组和整合,并延伸到“个性形成影响”这一重点主线,是答好本题的关键所在。
PROMPT #2
Describe a time when you made a meaningful contribution to others in which the greater good was your focus. Discuss the challenges and rewards of making your contribution.(描述你对他人做的有意义的贡献以及过程中你遇到的挑战和得到的收获。)
解读:这一题目和去年一样,没变化。有利于社区贡献或志愿者服务做得多的美高学生或国际班的学生来写。美国主流价值观中的一项核心即利他性,即通过帮助他人体现自身生命的价值。
题目设计得很有『曲折性』,要有『挑战和收获』,即要求回答出思想起伏与挣扎,乃至最后如何弃所谓“更大利益”于不顾,选择采取了真正有意义的利他行为。
要回答好这样的问题,要点在于选择素材,以及紧扣主题升华部分的逻辑展现。如果缺乏这一方面的课外活动,不建议选这道题。
PROMPT #3
Has there been a time when you’ve had a long/uploads/title/20240107/659a202a385c2.jpgcherished or accepted belief challenged? How did you respond? How did the challenge affect your beliefs?(你有没有这样的时候:长久以来坚持的信念受到质疑或挑战。你作何应对?这次挑战如何影响你的观念?)
解读:Common app的题目是让学生挑战权威的观念,而CAAS这一题是反过来,让学生写自己的观念被挑战的经历。这个题目比较有挑战性。在美国的普世主流价值观中,人应当有信仰,不局限于宗教信仰,更多是说人生态度或者认定的理念。
回到这个题目,题干给出了相当具体的答题思路。时刻(事件)—>反应(态度)—>影响信仰(高潮关键)。
首先仍然是选材。什么样的事情,在发生的那一刻,强烈到影响自己一直以来的信念、信心和执念?选材既定,过程所展现出来的反应及其所体现的态度,就比较好好陈述了。所以第二个问句,相对最好回答。最后,要有逻辑,推导出来事件对于人生观念的影响和撼动。
PROMPT #4
What is the hardest part of being a teenager now? What’s the best part? What advice would you give a younger sibling or friend (assuming they would listen to you)?当今作为一名青少年,最困难的方面是什么?最好的方面呢?你会给比你年幼的弟弟妹妹或朋友什么建议(假设他们会乖乖听你说教)?
解读:这个可以说是一道反思题,或者说思考题。既好回答又不好答。
这道题并非真的针对个体,所以如果回答的内容中包含了群体特征和时代脉搏,则已经赢了一半。选择这题的同学最好先采访一下同龄人,找到真实的痛点,找到共鸣,然后再开始思索这个时代的“最好”和“最坏”。这里需要有深刻的洞察、反思、分析和总结能力。切忌答成“主观”题即过于强调自己的看法。
这道题其实也是在考察学生的三观。我们自己观念的正与不正,有深度或者没有,广泛或者狭窄,都在于多年成长背景之下的积累,而非临时打造的所谓“高大上”强调。——这恐怕是申请学生和家长需要注意的一点。
PROMPT #5
Submit an essay on a topic of your choice.题目自拟
解读:题目自拟有好也有坏。好处是可以自由发挥,对 creative writing感兴趣的学生可以通过这道题充分发挥;坏处是,没有引导和框架,学生可能很难掌控,写不好ps。
题目和Common App的很相似,最大的不同之处在于字数要求。Common App申请文书字数上限是650字,而CAAS申请系统文书字数限制在300/uploads/title/20240107/659a202a385c2.jpg400之间。
法证先锋类型电视剧?
内地
案发现场,重案六组,水落石出,现场铁证,情有千千劫,警探雷鸣,探长欧光慈,深瞳,非常案件,水晶眼,少年包青天系列,大宋提刑官系列,神探狄仁杰系列
《火线追凶》《陆小凤传奇》《女神捕》《父子神探》这四个是系列电影,比电视剧好看
TVB
刑事侦辑档案系列,陀枪师姐系列,鉴证实录系列,O记实录系列,900重案追凶,法证先锋系列,洗冤录系列,状王宋世杰系列,施公奇案系列,栋笃神探,谜情家族,隔世追凶,谈情说案,读心神探,古灵精探12,情事缉私档案,勇探实录,刑警2010,仁心解码,囧探查过界,通天干探
ATV
国际刑警,暴风刑警,吉祥任务,危险人物,香港奇案实录,皇家档案系列,法本无情,新香港奇案,皇家警察实录系列,女干探,非常女警,法网群英
香港有线电视台
灵异侦缉档案系列
国外
犯罪心理,别对我撒谎,血色星期一,侦探学院Q,左目探侦EYE,Mr.Brain,霹雳MIT,名侦探守则,unfair,继续,池袋西口公园,古畑任三郎,相棒,神探伽利略,超感神探,神探夏洛克,神探阿蒙,谜情家族,读心神探,金田一少年之事件簿,CSI,识骨寻踪,数字追凶,BOSS,罪案终结
有什么好看的经典的推理悬疑剧啊?
最近超迷《相棒》故事性强 很好看的 现在都出11季了 以下再推荐一些 1.《boss》啊 经典中的经典 推理很强大 故事很紧凑~~ 2《control犯罪心理搜查》 跟伽利略很像 藤木直人演心理学教授 3《 mr. Brain》木村拓哉演的脑博士 推理性也很强 还有点搞笑 4《警视厅搜查一课新9系》这个超爱了 追好久了 每年都会出一季 都是原班人马 故事性强 还很感人~~ 5《临场》这个也不错哦 讲现场搜查的 通过蛛丝马迹破案 也很感人的~~~~有几集结尾哭死我了 6《草莓之夜》女主是女婿大人里的小樱 以前那么可爱 现在演女警有点惊讶(带一点爱情) 7《怪物》山上智久演的 挺不错的 故事好 还有些小无厘头 8《ATARU》这个也不错 喜欢女主角 题材挺新颖 中居正广卖萌出演学者综合症的特殊能力不明身份青年 9《都市传说之女》这个带点小爱情 每个故事都很神奇 有几集还挺恐怖呢 女主是长泽雅美 10《legal high》这个是讲律师的女主新桓结衣 挺无厘头的 但是故事都很好 猪脚超厉害解决各种棘手的案子 11《vision能看见凶手的女人》这个一般 没怎么看明白 小栗旬的老婆山田优主演 能看见死人的 12《高中入学考试》又是我最爱的长泽雅美 故事一般啦 13《神南署安积班1 2 3 4 5 6》很温暖的警察局 每集都挺感人的 喜欢安积大叔 14《示谈交涉人调解专家》超强烈推荐 男猪脚一头白发超帅 以前是外交官后来到民间解决各种案子 没有他办不成的事 心里超强大 头脑超级厉害 强烈推荐!!! 15《answer/uploads/title/20240107/659a202a385c2.jpg/uploads/title/20240107/659a202a385c2.jpg/uploads/title/20240107/659a202a385c2.jpg警视厅检证搜查官》正常的警察局 不错 16《上锁的房间》good good 大野智演的开锁专家 解决各种密室杀人 还有惠田户梨香哦 17《绝对零度1 2》上户彩演的菜鸟警察第一部还行 第二部一般吧 18《真正的犯人—心理特收事件簿》与港剧读心神探一样的感觉 19《神探奇奈》女猪脚的记忆超人的~~~~ 值得一看 20《spec》个人觉得这个是神作哦 一群超能力者的智慧的较量 21《警视厅失踪人搜查科》每一集都是失踪的人的 也很好 22《警视厅继续搜查班》也是正常的警察局 23《小田雾响子的谎言》这个有点小搞笑 推理部分也很好一集一个故事 喜欢女猪脚超可爱 假扮灵能力者 但观察力很强帮男猪脚破案 24《热海搜查官》小田切让演的 很诡异 有些无厘头 据说这个是神作 但最后我都没看懂太深奥 25《少年刑警》小池彻平演的 很感人的 男猪脚很萌的 26《东京dog》小栗旬超帅哦 女主是韩剧吸血鬼检察官2里的日本巫女哦 27《专业主妇侦探》深田恭子的新作 也带爱情 里面超二的 前几集真相捶死她 但后来还不错 很萌 但推理性稍弱 其他的还有《恶/uploads/title/20240107/659a202a385c2.jpg重犯罪搜查班》 《纪戊/uploads/title/20240107/659a202a385c2.jpg警视厅特殊犯搜查系》 《joker不被原谅的搜查官》《遗留搜查1 2》《你不是犯人吧》《自恋刑警》《富豪刑警》《小汪刑警》《怪胎刑警》《时效警察》《推理要在晚餐后》《侦探学院Q》《左目神探》《美食侦探》《名侦探柯南真人版》《名侦探守则》《名侦探光彦》《853刑事加茂伸之介》《迷局》《血色星期一》《bull doctor》《流星之绊》《逃亡律师》《科搜研之女》《lady最后的犯罪画像》 还有韩剧 和美剧多了去了
有没有什么好看的香港或者美国的破案型电视剧?
香港法证先锋系列,鉴证实录系列,古灵精探系列,陀枪师姐系列,O记实录系列,900重案追凶,谜情家族,谈情说案,情事缉私档案,刑警2010,勇探实录,女生宿舍之侦探学院,新重案传真,仁心解码,囧探查过界,国际刑警,暴风刑警,灵异侦缉档案美国别对我撒谎,犯罪现场调查,犯罪心理,罪案终结,识骨寻踪,数字追凶,逝者之证,灵媒缉凶,灵书妙探,超感警探,灵异妙探,铁证悬案,重案疑云,火线重案组,重案组女警,糊涂神探,NCIS,身份追凶,妙贼警探,倾听者,神探阿蒙日本古畑任三郎,神探伽利略,相棒,名侦探守则,科搜研之女,Mr.Brain,血色星期一,unfair,继续,池袋西口公园,时效警察,BOSS,亡者之声,四姐妹侦探团,民俗学者八云树,绝对零度,心理特搜事件,spec,圈套,跳跃大搜查线,33分钟侦探,冰之世界,遥控刑警
有没有像欺诈游戏类似的日剧呢?
益智游戏2:樱井翔和横山裕主演的,是在一个问答类综艺节目逐渐将6年前的一桩事故说明,共10集每集都会揭露一个真相,10集揭露最大的真相,可以算是推理剧的啦~BOSS:其实就是侦探片,一集一个案子,有竹野内丰和户田惠梨香,另外会请一些明星来客串神探伽利略:这个片子很好看,柴崎幸和福山雅治主演,用科学实验来推断凶手的片子MR BRAIN:木村拓哉,水岛宏,绫濑遥主演,和神探伽利略有点像,也是用科学破案的片子ROMES:现在还在连载的新片,讲守护机场的故事,ms总的是要讲找出一个人,每次都会接近一点真相的样子流星之绊:户田惠梨香,锦户亮和二宫和也的片子,3兄妹找寻杀父母的仇人,有点类似诈欺猎人,在骗钱的过程中接近真相
请问如何提高英语阅读能力?
感谢邀请。
初中阅读理解在英语学习中是让很多家长和同学最头痛的地方。普通的现象就是大多数同学对英语阅读文中的理解力和阅读速度方面让大家很挠头。
不过,这世界上好在有这么一句话:方法总比问题多。况且还有我在这里帮大家答疑解惑~
英文阅读为什么那么重要呢?
1,从每年的中考或是平时英语考试出题中,你会发现,这些出题老师“挖空心思”在“为难”同学们,英语考试卷中占比最大的就是英语阅读题。足以看出英语阅读的重要性。2,再有,一个人的英语水平是否真的从本质上得到提高,一定是从这个人的英语阅读能力上来判读的。3,最后,英语阅读能力是在综合测试同学们的单词掌握,英语语言知识点的积累,以及英语语法和句子结构分析能力的评判。听,说,读,写,这4个不变的英语训练中,通过英文阅读,至少考评了你的读,写方面。
4,除了我们眼前的应试考试外,想想我们学习英语的真正目的到底是什么?
我认为一定是“学英文,看世界”我们来看这样一段话:“说起阅读,很多人都很兴奋,因为读书不仅能带给他们知识和乐趣。而且通过阅读,我们能获取很多信息,了解历史。但是对一些人来说,阅读并不是他们的优势。他们会选择看电影来获得乐趣。但我想,人们依然可以从阅读中获取更多...”很多同学包括很多成年人,去看英文经典名著也罢,去读英语文章和外刊也好,事实上,他们很可能仅仅是为了应付临时的考试,或者为了彰显自己的高级感。这样的想法,不能说不对。毕竟每个人有自己的英语学习的看法和目的。
但能保证你长期持续的去阅读甚至是研究英文阅读文章的唯一出发点,也是最本质的核心:那就是“看世界” 世界之大,我们或许不能每天日行千里路,但我们可以通过读万卷书让我们的头脑随时随地获取鲜活有趣有意义的信息,陶冶情操,提高对语言美的感知能力,提升自身的核心素养.
说到这里,我相信并不是所有人都会同意这个说法。“凭什么就要通过英语阅读,读英文经典名著和文章来看世界呢?我不去阅读,一样活的好好的”好吧,我完全同意这样的看法,因为这样的回答并没错,不过,我要提醒这样的同学,在你的人生中,活着和有意义的活着,或许是两回事。。。从小处看,起码你的每次英语阅读考试会一塌糊涂。每次遇到阅读题看不懂,你会是什么心情?自信从哪里来?一个不爱阅读的人,想想他的精神世界会不会是充盈和富足的?思维狭隘,认知能力低下,更不用说今后的人生路上还会因为自己的知识储备的匮乏会面临多少人生挫败...?好了,你知道了英语阅读的重要性,那我们就来说说该怎么提高英语阅读的正确率,有哪些技巧会让你提高英语成绩或是提升英语阅读速度?1,首先,如大家都知道的一样,大量加高效的英文阅读是你永远没法跳过的坎儿,因为英语阅读考的就是你的综合能力,在这个板块不“虐你”一下,怎么拉开大家的英语成绩?找对方法,再去努力,这是永远应对所有事的核心道理。想想看老师出题基本会有哪几类?不要查了,我帮大家归纳好了。题材上,“英语老师们的心思你别猜”因为你永远猜不透。我称之为“花式吊打”:政治经济类,风俗习惯类,社会文化类,人文历史类,科学技术类...英语阅读文章体裁形式也是让你摸不到规律,记叙文,议论文,新闻类,通知,操作说明...阅读提醒基本逃不过这几方面:a, 考察细节b,推理判断和猜文猜词
c,文章主旨,或者说作者要表达的观点
英语阅读训练的干货技巧合方法来了。你一定要理清老师出题的规律之后,才能有效应对各种题型。通常我会要同学们拿到一篇英文阅读文章,先去看题目,大概把题目按上面说的题型分好类,这一点也需要平时大量阅读训练出来的。细节题型,通常需要你注意一些数字表达,专业名词,还有那些用大写标准的信息都可能是要考你的细节地方,迅速定位,再在这些标志性词语的所在橘子中前后两句里找答案。猜词题的题型,直接去找那个词所在的段落,通常文章会在这些词的后面给出隐形的解释,或者会用其他你应该熟悉的单词来代替,这需要你专注的去理解文章的意思。文章主旨的题型,一般不是很容易。基本上作者的观点会分布在每段的第一句和最后一句话里,或者你能找到总结性很明显的提示词汇,如in word,generally speaking...把我这些关键的词汇和语句,思考一下,一般就能出答案了。至于那些推断题,你可以从四个选项答案里,去除明显不对的答案,剩下的放到文章里再去理解,可能你是似懂非懂的完成了这个题,不过,这就是这类题考你的初衷,就是让你猜,猜,猜。学习路上,没来没有“轻松”二字可言,最后送给小伙伴们一句话:“你只有平时很努力,你才能在考场上看起来很轻松”加油吧,青少年~码字不易,如果你觉得文章对你有帮助,请点赞并转发给更多需要的人。非常感谢~
本站涵盖的内容、图片等数据系网络收集,部分未能与原作者取得联系。若涉及版权问题,请联系ynstorm@foxmail.com进行删除!